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    Related Article: Analog Home Recording
USB Stereo microphone

Everything's gotten a lot easier.  Technology is a mixed blessing.  Everything goes faster, and takes a lot less time. But speed makes people crazy sometimes – too much info too fast.  Anyway, I'm not complaining when it comes to recording and releasing music. 

I started out with a 4 track cassette recorder in the 90's, rewinding takes and ping ponging tracks to put 10 parts in one song.  I can't imagine the time I spent with this, not to mention the tape degradation with all the winding back and forth.
Tascam 4 track cassette recorder
Fast forward, pun intended, to an era where with a laptop and a mic, you can create whatever you want by yourself in a fraction of the time.  Back in the day, we needed all of this outboard equipment to get the finished sound – mix down the tape to another tape machine – run it through preamps, compressors, eq's and effects units to get a master.  Then burn it to a cd recorder.  Ha ha, it's funny to think about the cost, the time and the space it took to make a record – and this is still in a home studio.  If you recorded in a studio, mastered with an engineer, cut cd’s with a plant and sold through a label, you could spend tens of thousands of dollars!

DIY – do it yourself – the mantra of the cost conscious self-starter, or the non-corporate ethos of the punk rocker.  Yes, with my laptop, I can record as many tracks as I want, mix and master the songs, and upload them to a pro service that sends the music all over the globe – all for less than $100, and I will share with you how.

Recording and Mastering

I have to preface this with the fact that I'm kind of a lo-fi guy. So, I love the authentic analog sounds of the late 1960's.  But, there are plenty of people like me in home studios with similar setups making  top 40 hits.  When I retired the 4 track, I progressed to an 8 track cassette recorder, which was life changing.  When I go back and listen to those recordings from twenty years ago, I am pleased with the sound that came from a thin inexpensive blank cassette. The genuine warmth of analog sound is hard to beat.

A huge turning point occurred again when I bought a laptop.  I will speak from the experience of a macbook.  In the Mac world, the computers come with Garageband.  Mine came with Logic Express, around 2008.  Inexpensive or free recording software is out there and easy to find.  I eventually progressed to the full professional version of Logic – it just performs better.
macbook logic pro
Digital recording software is incredibly powerful, similar to photoshop in the design world.  The pros use either Pro Tools or Logic (the Apple version).  It's fairly intuitive and easy to learn without reading a book. Tutorials for specific tasks are easy to find online in guides, forums and videos.  I taught myself through trial and error.  It's actually a fun and captivating exploration. You can record as many tracks as you want, and I have recorded tracks that are over two hours in length.  All of the processing, effects, eq, compression that are imaginable are available through the program. Even mastering the project is a whiz.  The tools that are available are imaged from well-known and highly regarded outboard equipment. All of those racks of machines are now smashed into your computer! With 16 and 24 bit recording capability, I honestly can't tell the difference from a good analog recording, except for the tape hiss is missing, ha!

The digital process is limitless and transformational from analog recording, much in part because it is visual. Parts can be moved around, cut, copied and pasted and looped. They can be stretched, synced, pitch shifted, duplicated – you name it.

Master recordings can be saved in all of the familiar file formats including wav and mp3. It's a great idea to burn your masters to disc and back them up to a separate drive or in cloud storage.

Oh, and the microphone.  If you are really cheap and lo-fi, you can record through the built in mic on your laptop, ha.  I do it all the time, when I don't feel like running cables.  I have recorded walkie talkie vocals, acoustic guitar and garage sounding drums on the built-in mic. Or, you can find a really decent USB mic that plugs directly in to your computer for less than $50.  There are also audio interfaces for less than $50 that allow you to plug in mic cables and instruments through them into your computer.
2 track digital recording input interface
Art

How creative do you want to be? Make a painting, take a picture or scan it, and you have an album cover.  All computers have some sort of design software that allows you to layer text and images to create album art. Have a friend create it and give them credit on the back cover. The possibilities are endless and don't have to cost anything.

Copyright

Most people don't realize that once you simply create something original, you create a copyright for it, which protects you as the originator of the work.  But, the creation in itself isn't always date verifiable.  I have always submitted my work to the US Copyright Office / Library of Congress just to document and date stamp it.  The most important document is the Form SR (Sound Recording).  It costs $35 to submit an album, and it takes about 30 minutes to do it online.  We used to have to mail copies to Washington, but those days are over.  They mail you a date stamped certificate with a filing number.

Performance Rights

Joining a performance rights organization is easy and free.  They track public performances of your works, mainly radio, TV and digital.  BMI and ASCAP are the biggies.  BMI is free to join and submit works, and ASCAP charges a nominal membership fee.  You upload song titles  (not music files) to their sites and they do the rest, including mailing you checks when your music is played.

Digital Rights

This is the newer frontier that continues to evolve.  Presently, Sound Exchange is the primary source for tracking and monetizing digital streams for copyright owners and publishers through venues like Sirius XM, Pandora and TV music channels.  This is the fastest growing segment of the music industry, since most music is now being broadcast and shared digitally.

Syndication

Independent artists have many outlets for getting their music out to the world.  I have worked with CD Baby for a long time, because they are efficient, practical and they stay on top of the technology.  It takes less than an hour to upload an album and it costs about $50.  CD Baby submits your music to iTunes, Spotify, Amazon, YouTube and dozens of music portals all over the world.  They track streams and downloads, and CD Sales (if you choose to send them CD's). 

Marketing

Most marketing these days is online and can be free in a lot of instances.  Artists promote through Facebook and Instagram their new music, tour dates and social happenings.  We submit new music to record companies and promoters through email with links to web sites and uploads.

Bandcamp is also very popular for independent artists to sell their music and merchandise, and it's free.

Soundcloud is a top source for streaming, sharing independent music and linking to audio.

Musicians can submit individual songs to playlist curators in Pandora and Spotify. Getting on a popular playlist can really boost your visibility and fan base.

Shoot and edit a video on your phone, import your audio and upload to YouTube – bang.  People love to click videos. iMovie has a mobile version for iPhones that will do it all.

Ok, so you need a computer or recording device and a mic to get started.  Besides that, you can do the rest for very little, by paying for your copyright and digital syndication. Yes, you can digitally release an album for less than a hundred bucks, believe it or not.  You can even do it for free if you want to upload it to sites like Bandcamp and Soundcloud and skip the copyright office and syndication route. Take a screenshot with a datestamp of your release for your own copyright verification. Or, some people even mail themselves a copy of their recording with the postmaster's date stamp.

All this said, I don't have a huge following and haven't made a living selling original music. But I'm doing what I love and making a little mailbox money.  I get periodic payments from BMI and CDBaby – haven't seen much from Soundexchange yet.  But it takes a while for a fraction of a cent per stream to add up. I'm having fun and I'm able to easily record music and share it globally without breaking the bank – and you can too.

bud
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Related Article: Analog Home Recording

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